https://danieljablonski.org Daniel Jablonski Sat, 24 Sep 2022 19:57:33 +0000 https://danieljablonski.org en https://danieljablonski.org/Home-En-1 Tue, 08 Jun 2021 16:01:26 +0000 Daniel Jablonski https://danieljablonski.org/Home-En-1 Daniel Jablonski, <img width="1998" height="1424" width_o="1998" height_o="1424" data-src="https://freight.cargo.site/t/original/i/9ce95e54c78491da3132f244008a1648903888dc4e66ad2b1faa7e12adce8936/Captura-de-Tela-2024-03-05-as-22.20.57.png" data-mid="206123623" border="0" src="https://freight.cargo.site/w/1000/i/9ce95e54c78491da3132f244008a1648903888dc4e66ad2b1faa7e12adce8936/Captura-de-Tela-2024-03-05-as-22.20.57.png" /> Works, Writings,&nbsp;Exhibitions, Other, Now, Info, En / Pt https://danieljablonski.org/Works-1 Tue, 23 Nov 2021 22:22:53 +0000 Daniel Jablonski https://danieljablonski.org/Works-1 The Inner Life of Indoor Plants(2022-2023),<img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/6f7e544d6bf3d5a5009dc0609cdae527118032532a9bd9c24985a2030442274a/plantas-site.jpg" data-mid="189241729" border="0" src="https://freight.cargo.site/w/1000/i/6f7e544d6bf3d5a5009dc0609cdae527118032532a9bd9c24985a2030442274a/plantas-site.jpg" /> Solo(2022),<img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/9ced387361fa28614f67dab05939eb98dc3a2b0e659244f05e43fd04d8b34742/_E5A2252fotos_douglas_garcia.jpg" data-mid="154024225" border="0" src="https://freight.cargo.site/w/1000/i/9ced387361fa28614f67dab05939eb98dc3a2b0e659244f05e43fd04d8b34742/_E5A2252fotos_douglas_garcia.jpg" /> Indignantly Yours(2021),<img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/046fff730eefe6d83f17812c26b9ca751aeb4ff223454fa375d24b849680c57a/_MG_6143.jpg" data-mid="128113789" border="0" src="https://freight.cargo.site/w/1000/i/046fff730eefe6d83f17812c26b9ca751aeb4ff223454fa375d24b849680c57a/_MG_6143.jpg" /> Things(2018-2020),<img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/51c0588641280d76b1291f1b172dfd2763657d8b07d2fddc761a95a4c723bf62/coisas_27.jpg" data-mid="125476606" border="0" src="https://freight.cargo.site/w/1000/i/51c0588641280d76b1291f1b172dfd2763657d8b07d2fddc761a95a4c723bf62/coisas_27.jpg" /> Hy Brazil(2018-2020),<img width="1555" height="965" width_o="1555" height_o="965" data-src="https://freight.cargo.site/t/original/i/0a09e3e5267c51748a7e854f81eafa3d138446f3bf671f9cb8f9a287a90a09c3/HYBRAZIL_01.jpg" data-mid="125476605" border="0" src="https://freight.cargo.site/w/1000/i/0a09e3e5267c51748a7e854f81eafa3d138446f3bf671f9cb8f9a287a90a09c3/HYBRAZIL_01.jpg" /> Play that Music(2017-2020),<img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/c5a326ed83f7724040275a8204ea47958f7b1f5e304a40d6a9dd8480ba436c80/toque_04.jpg" data-mid="125476603" border="0" src="https://freight.cargo.site/w/1000/i/c5a326ed83f7724040275a8204ea47958f7b1f5e304a40d6a9dd8480ba436c80/toque_04.jpg" /><img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/e0ad0fb7075fe4f3651826eed89ab548dc8fd29129dfc746c846404c295cecba/paisagem_05.jpg" data-mid="125476624" border="0" src="https://freight.cargo.site/w/1000/i/e0ad0fb7075fe4f3651826eed89ab548dc8fd29129dfc746c846404c295cecba/paisagem_05.jpg" /> (Still) Brazil(2017-2018),<img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/cdf76ebeba0a9fc4238caf8a7818bd4690e3a754c2d47ce678e04f06062b635b/still_15.jpg" data-mid="125476622" border="0" src="https://freight.cargo.site/w/1000/i/cdf76ebeba0a9fc4238caf8a7818bd4690e3a754c2d47ce678e04f06062b635b/still_15.jpg" /> All Against(2016-2018), <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/9e7c2492688aba2281206e74ad418385bf82ba53937d8fbe790b037483d91ebc/todos_contra_07.jpg" data-mid="125476630" border="0" src="https://freight.cargo.site/w/1000/i/9e7c2492688aba2281206e74ad418385bf82ba53937d8fbe790b037483d91ebc/todos_contra_07.jpg" /> Facing the Device(2016-2018), <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/141e9cb21a7273d02b14748f163e9dc1983b2fc7ab1223a7c9d08760f0eb7f6b/aparelho_06.jpg" data-mid="125476621" border="0" src="https://freight.cargo.site/w/1000/i/141e9cb21a7273d02b14748f163e9dc1983b2fc7ab1223a7c9d08760f0eb7f6b/aparelho_06.jpg" /> The Youth Bulletin(2014-2018),<img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/7802b3d4ad7381188d3b6796cb74423afcdd81860646e1e19bd0bc9ff3c70518/performance_11.jpg" data-mid="125476609" border="0" src="https://freight.cargo.site/w/1000/i/7802b3d4ad7381188d3b6796cb74423afcdd81860646e1e19bd0bc9ff3c70518/performance_11.jpg" /> FWD: Sorry for the Delay(2017),<img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/ad8bfcaf1dd7a0390400c97d555796589965fe1f2ca57aafb468d3e93740a5a3/fwd_07.jpg" data-mid="125476625" border="0" src="https://freight.cargo.site/w/1000/i/ad8bfcaf1dd7a0390400c97d555796589965fe1f2ca57aafb468d3e93740a5a3/fwd_07.jpg" /> The Defendant is Naked(2017),<img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/97f0540069af38d101c399e98563601b56cf4d2c90e8a09fe08f82f2ea5d924c/performance_link.jpg" data-mid="125476611" border="0" src="https://freight.cargo.site/w/1000/i/97f0540069af38d101c399e98563601b56cf4d2c90e8a09fe08f82f2ea5d924c/performance_link.jpg" /> Ask your Neighbors(2016-2017),<img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/2b6c77ad5fe798001901c4597d69e36a06f9041a97b5eb5aa16ad755d17d4fc9/vizinhos_02.jpg" data-mid="125476617" border="0" src="https://freight.cargo.site/w/1000/i/2b6c77ad5fe798001901c4597d69e36a06f9041a97b5eb5aa16ad755d17d4fc9/vizinhos_02.jpg" /> Don’t Let an Artist Become a Teacher(2016),<img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/040ff60d051890028ee4b391409ebeed86158399b781faca8a42cbdaaf281844/link_aula.jpg" data-mid="125476626" border="0" src="https://freight.cargo.site/w/1000/i/040ff60d051890028ee4b391409ebeed86158399b781faca8a42cbdaaf281844/link_aula.jpg" /> All the Points (RJ/SP)(2015),<img width="675" height="965" width_o="675" height_o="965" data-src="https://freight.cargo.site/t/original/i/f1fcdaa864ff225e1b4ef8730826e7479b421e7bbc4d1f85da0a48e51bcf77f8/sesc_05_link.jpg" data-mid="125476613" border="0" src="https://freight.cargo.site/w/675/i/f1fcdaa864ff225e1b4ef8730826e7479b421e7bbc4d1f85da0a48e51bcf77f8/sesc_05_link.jpg" /> West / East(2014-2016),<img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/37866955bff3a34e73e77a558e17fe60b0a780bb2341a25100b4a07ff271b490/buenos_04_link.jpg" data-mid="125476614" border="0" src="https://freight.cargo.site/w/1000/i/37866955bff3a34e73e77a558e17fe60b0a780bb2341a25100b4a07ff271b490/buenos_04_link.jpg" /> Random Years(2014-2016),<img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/03f65269fbba63e26d763089a00afa0494feb015dfff266f21b99678c2f311e8/possivies_04_link.jpg" data-mid="125476616" border="0" src="https://freight.cargo.site/w/1000/i/03f65269fbba63e26d763089a00afa0494feb015dfff266f21b99678c2f311e8/possivies_04_link.jpg" /> All the Points (BsAs)(2014),<img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/bc312422493d2339b9631086468f474e708d7093384f4a8701be40177231962a/pontosBS_link.jpg" data-mid="125476628" border="0" src="https://freight.cargo.site/w/1000/i/bc312422493d2339b9631086468f474e708d7093384f4a8701be40177231962a/pontosBS_link.jpg" /> The Mad Sleep(2013-2016),<img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/d17ca1068b2ba37b5a5a6e3d04565649a4d342c9f316dff8b8f87673a41679fd/sono_instala_09_link.jpg" data-mid="125476620" border="0" src="https://freight.cargo.site/w/1000/i/d17ca1068b2ba37b5a5a6e3d04565649a4d342c9f316dff8b8f87673a41679fd/sono_instala_09_link.jpg" /> Astrologically Incompatible(2012-2016),<img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/8c05e43957d7fbadf04636c23613aecf33baf2d4c20fc0e5ebec42c8bb064882/astrologicamente_link.jpg" data-mid="125476618" border="0" src="https://freight.cargo.site/w/1000/i/8c05e43957d7fbadf04636c23613aecf33baf2d4c20fc0e5ebec42c8bb064882/astrologicamente_link.jpg" /> All the Names(2012),<img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/14b07518aa81215fc4239426ab492484b8df36e67efdb1c5d960cb2c01068407/todos_nomes_06.jpg" data-mid="125476607" border="0" src="https://freight.cargo.site/w/1000/i/14b07518aa81215fc4239426ab492484b8df36e67efdb1c5d960cb2c01068407/todos_nomes_06.jpg" /> The Last Snapshot(2010-2014),<img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/db13f3085352a4c09d27e3255697b754d7cd16516ff690aa7c85003b830a286f/instataneo_link.jpg" data-mid="125476629" border="0" src="https://freight.cargo.site/w/1000/i/db13f3085352a4c09d27e3255697b754d7cd16516ff690aa7c85003b830a286f/instataneo_link.jpg" /> L’insouciance(2009-2010)<img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/fe6a21cb438f88c555b0e0609e66f2abf161ff9088439d7c73d82dc0cfba51c0/01_postagem_insouciance_1461x965.jpg" data-mid="125476632" border="0" src="https://freight.cargo.site/w/1000/i/fe6a21cb438f88c555b0e0609e66f2abf161ff9088439d7c73d82dc0cfba51c0/01_postagem_insouciance_1461x965.jpg" /> https://danieljablonski.org/Solo-EN Sat, 24 Sep 2022 19:57:33 +0000 Daniel Jablonski https://danieljablonski.org/Solo-EN Solo(2022), <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d4dc1d7ec1511aa4821672574be5971eccaa7452035cd70987f6de6b690cfa6f/_E5A2036fotos_douglas_garcia.jpg" data-mid="153960057" border="0" src="https://freight.cargo.site/w/1000/i/d4dc1d7ec1511aa4821672574be5971eccaa7452035cd70987f6de6b690cfa6f/_E5A2036fotos_douglas_garcia.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/501b590f1d88ad76529bb70633f9b7aa4da2349607bd76383a391cc93b3aaa48/_E5A2168fotos_douglas_garcia.jpg" data-mid="153982075" border="0" src="https://freight.cargo.site/w/1000/i/501b590f1d88ad76529bb70633f9b7aa4da2349607bd76383a391cc93b3aaa48/_E5A2168fotos_douglas_garcia.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/1300a524e5ac21535c5a87b14fa5fad4d4ead2fd40a91fb39d0e3a67c9e11e06/_E5A2117fotos_douglas_garcia.jpg" data-mid="153960126" border="0" src="https://freight.cargo.site/w/1000/i/1300a524e5ac21535c5a87b14fa5fad4d4ead2fd40a91fb39d0e3a67c9e11e06/_E5A2117fotos_douglas_garcia.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/8631a8606e75d30e0fac70d227dec4e051f47d29e0bd605d3267b11362d8507c/_E5A2170fotos_douglas_garcia.jpg" data-mid="153960455" border="0" src="https://freight.cargo.site/w/1000/i/8631a8606e75d30e0fac70d227dec4e051f47d29e0bd605d3267b11362d8507c/_E5A2170fotos_douglas_garcia.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/840af0772af3923e11c55a06382ab909182300fefab58e92bed2411521ca7caf/_E5A2252fotos_douglas_garcia.jpg" data-mid="153960505" border="0" src="https://freight.cargo.site/w/1000/i/840af0772af3923e11c55a06382ab909182300fefab58e92bed2411521ca7caf/_E5A2252fotos_douglas_garcia.jpg" /> <img width="8688" height="5792" width_o="8688" height_o="5792" data-src="https://freight.cargo.site/t/original/i/a172258aea647a3225b01fc7f93d23a95191cf05c49f347ba328d2b1cf92f89d/_E5A2243fotos_douglas_garcia_BAIXA.jpg" data-mid="153997380" border="0" src="https://freight.cargo.site/w/1000/i/a172258aea647a3225b01fc7f93d23a95191cf05c49f347ba328d2b1cf92f89d/_E5A2243fotos_douglas_garcia_BAIXA.jpg" /> <img width="8688" height="5792" width_o="8688" height_o="5792" data-src="https://freight.cargo.site/t/original/i/1af9a348f72e431d284cbf4e6c215d036b03bc8aac5049d1c271132782388cab/_E5A2226fotos_douglas_garcia_BAIXA.jpg" data-mid="153980787" border="0" src="https://freight.cargo.site/w/1000/i/1af9a348f72e431d284cbf4e6c215d036b03bc8aac5049d1c271132782388cab/_E5A2226fotos_douglas_garcia_BAIXA.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/338a71314fbe35339c7cee721ef722b97c7c51ac9e68ffda5eee74b08a55b4fc/_E5A2290fotos_douglas_garcia.jpg" data-mid="153996984" border="0" src="https://freight.cargo.site/w/1000/i/338a71314fbe35339c7cee721ef722b97c7c51ac9e68ffda5eee74b08a55b4fc/_E5A2290fotos_douglas_garcia.jpg" /> <img width="8688" height="5792" width_o="8688" height_o="5792" data-src="https://freight.cargo.site/t/original/i/25d095240601a80ef8d276eae615712b353d4abada2e0ef6ed55ae45d7e084ec/_E5A2084fotos_douglas_garcia_BAIXA.jpg" data-mid="153997378" border="0" src="https://freight.cargo.site/w/1000/i/25d095240601a80ef8d276eae615712b353d4abada2e0ef6ed55ae45d7e084ec/_E5A2084fotos_douglas_garcia_BAIXA.jpg" /> <img width="8542" height="5694" width_o="8542" height_o="5694" data-src="https://freight.cargo.site/t/original/i/d0c9f2e2b118c10b108d3884914489453ca7ad318982b48afbbbb32450caf0c6/_E5A2313fotos_douglas_garcia_BAIXA.jpg" data-mid="153997376" border="0" src="https://freight.cargo.site/w/1000/i/d0c9f2e2b118c10b108d3884914489453ca7ad318982b48afbbbb32450caf0c6/_E5A2313fotos_douglas_garcia_BAIXA.jpg" /> <img width="8688" height="5792" width_o="8688" height_o="5792" data-src="https://freight.cargo.site/t/original/i/4d2b5bc2b63cb7259fcbc1c4f838386deeb29b587f604b76a7312a8a77ce5338/_E5A2403fotos_douglas_garcia_BAIXA.jpeg" data-mid="153980491" border="0" src="https://freight.cargo.site/w/1000/i/4d2b5bc2b63cb7259fcbc1c4f838386deeb29b587f604b76a7312a8a77ce5338/_E5A2403fotos_douglas_garcia_BAIXA.jpeg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/0622510c5e34ee3a231c00b85fca534f537bd616a80fd33dfe708c0dc6be5fb7/_E5A2395fotos_douglas_garcia.jpg" data-mid="153977585" border="0" src="https://freight.cargo.site/w/1000/i/0622510c5e34ee3a231c00b85fca534f537bd616a80fd33dfe708c0dc6be5fb7/_E5A2395fotos_douglas_garcia.jpg" /> <img width="8525" height="5683" width_o="8525" height_o="5683" data-src="https://freight.cargo.site/t/original/i/ba7287cc6c717e12790cdc957b372b907e4a71bd79ff04296febfd4d392950d1/_E5A2418fotos_douglas_garcia_BAIXA.jpg" data-mid="153997379" border="0" src="https://freight.cargo.site/w/1000/i/ba7287cc6c717e12790cdc957b372b907e4a71bd79ff04296febfd4d392950d1/_E5A2418fotos_douglas_garcia_BAIXA.jpg" /> <img width="8688" height="5792" width_o="8688" height_o="5792" data-src="https://freight.cargo.site/t/original/i/49b14f29d87e77425c2011640f3c3634dea49d749af4451a4eadf363f53e8661/_E5A2430fotos_douglas_garcia_BAIXA.jpg" data-mid="153997377" border="0" src="https://freight.cargo.site/w/1000/i/49b14f29d87e77425c2011640f3c3634dea49d749af4451a4eadf363f53e8661/_E5A2430fotos_douglas_garcia_BAIXA.jpg" /> <img width="8688" height="5792" width_o="8688" height_o="5792" data-src="https://freight.cargo.site/t/original/i/abbfdeb45d1ce9061fa120f1ebd5c501fc49a18507094c45754dce7fd4812884/_E5A2347fotos_douglas_garcia_BAIXA.jpg" data-mid="153980791" border="0" src="https://freight.cargo.site/w/1000/i/abbfdeb45d1ce9061fa120f1ebd5c501fc49a18507094c45754dce7fd4812884/_E5A2347fotos_douglas_garcia_BAIXA.jpg" /> Performance &gt; video mapping with music scores, drums, piano, 02 speakers (aprox. 1h per instrument) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Solo is a piece that deals with the learning process in music, more specifically in the jazz tradition. It seeks to unveil to the public what hides behind all those moments of free improvisation in concerts: namely, a routine of solitary, repetitive, non-creative, and often frustrating practice by musicians. Practice that is often based on learning solos from past masters. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; One at a time, professional jazz musicians are invited to play themes whose solos have become iconic on their respective instruments. With no prior knowledge of the tracks, they rely solely on the reading of the score, projected in large format and synchronized with the original recording, which is transmitted through speakers. The exercise is repeated as many times as necessary so that the notes played live coincide with those heard by the audience on the recording. When the present and the past begin to merge, and the recording and the live performance overlap, the piece ends. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; The title, Solo, evokes both the solitude of the musician offstage and the counter-intuitive nature of the task of faithfully reconstituting in the present what was in the past sheer improvisation. Video teaser &gt; performance at Ateliê 397 / Galpão Cru, São Paulo, BR &gt; Portuguese only + Critical reviews &gt; Solo: uma partitura para descompassos by Ana Paula Lopes and Cadu Gonçalves &nbsp; credits musicians Rafael Heiss &amp; Chicão assistant Natália Marchiori photography Douglas Garcia video Haroldo Saboia thanks to Ateliê 397 &amp; Galpão Cru https://danieljablonski.org/Indignantly-Yours Tue, 23 Nov 2021 21:56:52 +0000 Daniel Jablonski https://danieljablonski.org/Indignantly-Yours Indignantly Yours(2021), <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/5d9ee692e73ca1434354d796e370616c2fdfa2d5844834513d4b09e5fd9c0b38/_MG_6089.jpg" data-mid="128081942" border="0" src="https://freight.cargo.site/w/1000/i/5d9ee692e73ca1434354d796e370616c2fdfa2d5844834513d4b09e5fd9c0b38/_MG_6089.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" 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data-src="https://freight.cargo.site/t/original/i/518f5064904f64ee0d7723568e700290164ad30e050a5c53a502b10f89be5e32/_MG_6165.jpg" data-mid="128083719" border="0" src="https://freight.cargo.site/w/1000/i/518f5064904f64ee0d7723568e700290164ad30e050a5c53a502b10f89be5e32/_MG_6165.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/f2fa84c07dd599708b340918f0550e1bb09e9ec42d7b36995aa99e3de27711b1/_MG_6147.jpg" data-mid="128083302" border="0" src="https://freight.cargo.site/w/1000/i/f2fa84c07dd599708b340918f0550e1bb09e9ec42d7b36995aa99e3de27711b1/_MG_6147.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/f68c8d523900ec0929af5d720e0db292b3340fc6d4b34d3cb123ac111cd0367b/_MG_6120.jpg" data-mid="128081946" border="0" src="https://freight.cargo.site/w/1000/i/f68c8d523900ec0929af5d720e0db292b3340fc6d4b34d3cb123ac111cd0367b/_MG_6120.jpg" /> Installation &gt; 240 A4 sheets printed in black and white, 240 x 630 cm &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Indignantly Yours is composed of a collection of open letters against Brazil’s president Jair Messias Bolsonaro, produced between 2018 and 2021, by both civil society and politicians of other ideological orientations. Result of the crisis of representative democracy, these letters have become ubiquitous, and mark at the same time the discontent with the government and the impotence in the face of concrete action. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Superimposed on the sheets of paper is a large-format calligraphic reconstruction of a protest sign that philosopher Baruch de Spinoza is said to have created in 1672, bearing only two words: "ultimi barbarorum". After the dignitaries of the Dutch Republic were deposed, resulting in their arrest, murder and public lynching (with reports of cannibalism), the rationalist philosopher decided to publicly express his indignation. His plan was to post it near the scene of the crime, possibly in front of a church, so as to underline the responsibility of the monarchists and the clergy in the coup d'état. For Spinoza, while the mass would certainly be "barbaric," those in charge would be "the ultimate barbarians". &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; However, his action was thwarted by the landlord of the house where he lived, who locked him in a room, fearing that he would also be brutally murdered. &gt; Portuguese only + Critical reviews &gt; Os mais bárbaros dos bárbaros by José Bento Ferreira &nbsp; credits photography Douglas Garcia calligraphy reconstitution Gui Menga &nbsp;research and installation assistant Natália Marchiori https://danieljablonski.org/Things Mon, 14 Jun 2021 15:40:21 +0000 Daniel Jablonski https://danieljablonski.org/Things Things(2018-2020), <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/30e48693c62e7421829145a941513f81efe47d19a9261c4f97c3414b43d4d259/coisas_01.jpg" data-mid="111320606" border="0" 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height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/0549bc62b6e17c54b8029d7a0e98bffaa6a050ef582992cc929510f7d8552e48/coisas_24.jpg" data-mid="111320659" border="0" src="https://freight.cargo.site/w/1000/i/0549bc62b6e17c54b8029d7a0e98bffaa6a050ef582992cc929510f7d8552e48/coisas_24.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/9c191eabbdc3baad9cc1e7c08447055b0320a7b3ffc87457dd402a85f5dca12b/coisas_25.jpg" data-mid="111320660" border="0" src="https://freight.cargo.site/w/1000/i/9c191eabbdc3baad9cc1e7c08447055b0320a7b3ffc87457dd402a85f5dca12b/coisas_25.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/a5e964a5fc22178d9db06cd568d0cc0c9eb43af074032fb6d4f334a0a432aadc/coisas_05.jpg" data-mid="111320624" border="0" src="https://freight.cargo.site/w/1000/i/a5e964a5fc22178d9db06cd568d0cc0c9eb43af074032fb6d4f334a0a432aadc/coisas_05.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/09017150bb541a6afc09e3e37ca952f83c16ae48e38fa8db9e00cca9041a28cd/censo_02.jpg" data-mid="111320665" border="0" src="https://freight.cargo.site/w/1000/i/09017150bb541a6afc09e3e37ca952f83c16ae48e38fa8db9e00cca9041a28cd/censo_02.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/7781b378be51700f856fbe23aed5d0259d961c63bf75b8ed8e540537841bb2d0/censo_03.jpg" data-mid="111320667" border="0" src="https://freight.cargo.site/w/1000/i/7781b378be51700f856fbe23aed5d0259d961c63bf75b8ed8e540537841bb2d0/censo_03.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/4bc7a0cd28f315dfa20ea99682cfab33b119c39f80805fce35d7b60a908e8cc9/coisas_06.jpg" data-mid="111320715" border="0" src="https://freight.cargo.site/w/1000/i/4bc7a0cd28f315dfa20ea99682cfab33b119c39f80805fce35d7b60a908e8cc9/coisas_06.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/12e1d81e7adc6d4c1476808fa3acfd9065fa854fd992983fd98bbd11175c785b/coisas_04.jpg" data-mid="111320670" border="0" src="https://freight.cargo.site/w/1000/i/12e1d81e7adc6d4c1476808fa3acfd9065fa854fd992983fd98bbd11175c785b/coisas_04.jpg" /> Installation &gt; approximately 3200 personal items belonging to the artist, 32 metal shelves 2 metal drawers, 15 light tubes, stationary in various quantities, 2 media players, 1 ten-metre adhesive vinyl display e 34 markings on adhesive vinyl (total variable dimensions) + Brazilian Statistics Institute (IBGE) Form &gt; 11 A4 color sheet filled out by hand by Leonardo Araujo Beserra &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Things is an attempt to reconstitute — in an almost detective-like way — the chronology of a life (1985 – 2018) from its accumulated material over the years. By listing and making public all the artist’s disused objects, the work runs counter conventional autobiographies: here, the idea is not to start from the author’s memories, but to use the materiality of objects to force memory (and oblivion) in radically unforeseen directions. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Displayed without any censorship whatsoever, and organized both alphabetically and chronologically, the more than 3,000 items listed here function less as the artist’s personal museum and more as the communal archive of a generation. Its title, a reference to the eponymous book of French writer Georges Perec, Things: a story from the sixties, from 1965, testifies to the impersonality of the enterprise. After all, the (unrealized) project of making one’s exhaustive inventory was also taken from one of his essays: "This panic of losing my traces was followed by a fury of preserving and classifying. I kept everything: letters with their envelopes, movie tickets, air tickets, invoices, checkbooks, brochures, receipts, catalogs, conventions, daily newspapers, dry marker pens, empty lighters, and even gas and electricity bills from an apartment I had not lived in for more than six years and sometimes spent a whole day sorting and sorting, imagining a classification that would fill every year, every month, every day of my life." ("The places of a ruse" In Thinking / Classifying, 1985). &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Taking the shape of a large immersive installation, offering different types of classification, Things&nbsp;also refers to the form and symbolic function of a labyrinth. From the earliest mythologies, they work as powerful metaphors of the individual: to get lost and to get found there is to lose and to find oneself. <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/c5ac0648161bf19aaedd62242dfe54f141a45413323ecbb464c0bff629b5a7bb/coisas_3x4_02.jpg" data-mid="111320662" border="0" src="https://freight.cargo.site/w/1000/i/c5ac0648161bf19aaedd62242dfe54f141a45413323ecbb464c0bff629b5a7bb/coisas_3x4_02.jpg" /> Self Portrait &gt; 02 strips of snapshots, framed (28 x 28 cm), 2010 <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/02cc85d8a006db5425cc567bcfa9494482e05b295a812beffdffb57fa8b1573e/triagem_01.jpg" data-mid="111320683" border="0" src="https://freight.cargo.site/w/1000/i/02cc85d8a006db5425cc567bcfa9494482e05b295a812beffdffb57fa8b1573e/triagem_01.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/6a023da7420535151760f021ca2ff89dec35c3420a53025040bc9ed85a4ef0b8/triagem_02.jpg" data-mid="111320690" border="0" src="https://freight.cargo.site/w/1000/i/6a023da7420535151760f021ca2ff89dec35c3420a53025040bc9ed85a4ef0b8/triagem_02.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/3c3b54c5969564bd00eeb89ec1e732ccb79c16c95a56249e96c8db92adf987a0/triagem_03.jpg" data-mid="111320695" border="0" src="https://freight.cargo.site/w/1000/i/3c3b54c5969564bd00eeb89ec1e732ccb79c16c95a56249e96c8db92adf987a0/triagem_03.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/6601ef85b5d1cfa85a5df2990a9e5d9b72e08333382ce2c72704df8a46fa798f/triagem_04.jpg" data-mid="111320704" border="0" src="https://freight.cargo.site/w/1000/i/6601ef85b5d1cfa85a5df2990a9e5d9b72e08333382ce2c72704df8a46fa798f/triagem_04.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/205e52f9bbf8b24060ec75f9def36add6b56baba32e18cd6ac19441ad480568d/triagem_05.jpg" data-mid="111320712" border="0" src="https://freight.cargo.site/w/1000/i/205e52f9bbf8b24060ec75f9def36add6b56baba32e18cd6ac19441ad480568d/triagem_05.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/60d70cf6dd8337aaf099f940d940c4c77b2b410988ac30b3c76c4d1683fab20c/triagem_07.jpg" data-mid="111320714" border="0" src="https://freight.cargo.site/w/1000/i/60d70cf6dd8337aaf099f940d940c4c77b2b410988ac30b3c76c4d1683fab20c/triagem_07.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/7285c8e729b2ee27bf7a40c3ac3df8cbd6fc48da484f73cdb10c7c11c13febdb/triagem_06.jpg" data-mid="111320713" border="0" src="https://freight.cargo.site/w/1000/i/7285c8e729b2ee27bf7a40c3ac3df8cbd6fc48da484f73cdb10c7c11c13febdb/triagem_06.jpg" /> Process &gt; recording of the material's organization at the artist's house, São Paulo, between January and September 2018 &gt; Portuguese only + Critical reviews &gt; Demographic Census 2018: Things by Leonardo Araujo Beserra &nbsp; credits photography&nbsp;João Paulo Racyresearch and cataloging assistant Natália Marchiori https://danieljablonski.org/Hy-Brazil-En Mon, 14 Jun 2021 15:40:53 +0000 Daniel Jablonski https://danieljablonski.org/Hy-Brazil-En Hy Brazil(2018-2020), <img width="1544" height="965" width_o="1544" height_o="965" data-src="https://freight.cargo.site/t/original/i/8f7faa580fda68a9842810f3c8548bab27e2e5421ccded6b11c4d83d6c03261d/poliptico_06.jpg" data-mid="111320750" border="0" src="https://freight.cargo.site/w/1000/i/8f7faa580fda68a9842810f3c8548bab27e2e5421ccded6b11c4d83d6c03261d/poliptico_06.jpg" /> <img width="1544" height="965" width_o="1544" height_o="965" data-src="https://freight.cargo.site/t/original/i/d09b64c8606e094aae377a93d886679d90ab04e70a4d39d97840e9fc832b0fc4/poliptico_07.jpg" data-mid="111320752" border="0" src="https://freight.cargo.site/w/1000/i/d09b64c8606e094aae377a93d886679d90ab04e70a4d39d97840e9fc832b0fc4/poliptico_07.jpg" /> <img width="1544" height="965" width_o="1544" height_o="965" data-src="https://freight.cargo.site/t/original/i/cd01dedb25e9d408ddd56f3177364b21bcfceb988e0d8291d1661451a5e1ef04/poliptico_09.jpg" data-mid="111320756" border="0" src="https://freight.cargo.site/w/1000/i/cd01dedb25e9d408ddd56f3177364b21bcfceb988e0d8291d1661451a5e1ef04/poliptico_09.jpg" /> <img width="1544" height="965" width_o="1544" height_o="965" data-src="https://freight.cargo.site/t/original/i/bc245f34c4da61c02812bce56a954765d41891e78b32e3aed580f8ada07686a8/poliptico_08.jpg" data-mid="111320755" border="0" src="https://freight.cargo.site/w/1000/i/bc245f34c4da61c02812bce56a954765d41891e78b32e3aed580f8ada07686a8/poliptico_08.jpg" /> Digital collage made out of screenshots from six computer monitors, displaying the results of an extensive online research about Brazil, the island. It explores the functions of several digital tools to organize the different narratives — historical, literary, mythological, cartographic — which intertwine the screens. The finish of the methacrylate prints also evokes the glassy aspect of computer screens, smartphones, and tablets, which inevitably mediate our relationship with reality. Photographic Polyptych &gt; 06 mineral pigment prints on cotton paper and methacrylate (37.5 x 60 x 1 cm each; 75 x 180 x 1 cm total) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Hy Brazil is an investigation about error, deception, delusion. It takes as its object a ghost island called "Brazil" (or Hy Bressail, O'Brazil, Bracil, Bracir etc.) long before the discovery of America. Usually located close to the coast of Ireland, it was virtually present in all nautical maps, from 1325 to 1870, until it was finally discarded by modern cartography. In the meantime, the isle of Brazil has occupied a privileged place in the imagination of the Age of Exploration and beyond – in literature, scholasticism, mythology and even ufology – as a wonderful but unreachable place. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; By drawing a complete cartography of deception, Hy Brazil points beyond the simple homonymy with the South American country. For, when seen from afar, outside or above, Brazil does not seem to be anything more than this desert island waiting for a colonizer, this virgin significant waiting for a redemptive discourse. Its concrete existence – with its own history, geography and culture – does nothing to change its essentially ghostly status. After all, today as yesterday, no reality has ever prevented the wildest ghosts of desire and the unconscious from flourishing and proliferating here. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; A vacant metaphor, says Malachy Tallack, "Hy Brazil is a ghost, a fiction, a myth and an error. It is all of that and, in the end, it is nothing". <img width="1297" height="965" width_o="1297" height_o="965" data-src="https://freight.cargo.site/t/original/i/fa31cfa0dc9e9d018e9e2a7250991fc1cfcffc53b101ecc69a882dbd9e522910/transp_01.jpg" data-mid="111320731" border="0" src="https://freight.cargo.site/w/1000/i/fa31cfa0dc9e9d018e9e2a7250991fc1cfcffc53b101ecc69a882dbd9e522910/transp_01.jpg" /> <img width="1297" height="965" width_o="1297" height_o="965" data-src="https://freight.cargo.site/t/original/i/546db3997bfe3c6ef069fe6feea9f0c064ece2ec5489e85e7c06515547e6c047/transp_02.jpg" data-mid="111320735" border="0" src="https://freight.cargo.site/w/1000/i/546db3997bfe3c6ef069fe6feea9f0c064ece2ec5489e85e7c06515547e6c047/transp_02.jpg" /> <img width="1297" height="965" width_o="1297" height_o="965" data-src="https://freight.cargo.site/t/original/i/3ad82caa8e1e3ff284a08a031f5e16857e571f3df67d0cd7d9d255253380d01e/transp_03.jpg" data-mid="111320736" border="0" src="https://freight.cargo.site/w/1000/i/3ad82caa8e1e3ff284a08a031f5e16857e571f3df67d0cd7d9d255253380d01e/transp_03.jpg" /> <img width="1297" height="965" width_o="1297" height_o="965" data-src="https://freight.cargo.site/t/original/i/717579efd9aea733cb38989d5dccf0c97ae9e68ec90512d42e7fe1188cc82429/transp_04.jpg" data-mid="111320737" border="0" src="https://freight.cargo.site/w/1000/i/717579efd9aea733cb38989d5dccf0c97ae9e68ec90512d42e7fe1188cc82429/transp_04.jpg" /> Set of transparencies containing historical maps of different formats, provenance and purposes. Placed on the same scale, they allow one to graphically superimpose different stages of the development of geography, but also of the cartographic conventions themselves. A series of X-shaped laser engravings highlights, on any of the maps, all the locations where the ghost island has been located over time. Transparencies &gt; 37 Prints in PETG plates 0,5mm laser recorded (70 x 100 cm each) <img width="1544" height="965" width_o="1544" height_o="965" data-src="https://freight.cargo.site/t/original/i/4f9cda17ad270e9584b218d2a6bcd0f796690c7978477c615aa38a7b1b953b89/NEON_07.jpg" data-mid="111320738" border="0" src="https://freight.cargo.site/w/1000/i/4f9cda17ad270e9584b218d2a6bcd0f796690c7978477c615aa38a7b1b953b89/NEON_07.jpg" /> <img width="1544" height="965" width_o="1544" height_o="965" data-src="https://freight.cargo.site/t/original/i/6767ce71b0fea52022246dff26bef84cbbcffc638d8e48f370524a46ec8f949d/NEON_09.jpg" data-mid="111320739" border="0" src="https://freight.cargo.site/w/1000/i/6767ce71b0fea52022246dff26bef84cbbcffc638d8e48f370524a46ec8f949d/NEON_09.jpg" /> <img width="706" height="965" width_o="706" height_o="965" data-src="https://freight.cargo.site/t/original/i/b6f978df96280fec255d9c0164bcc582fd6064c08981944f66123ca73ad22f50/NEON_10.jpg" data-mid="111320740" border="0" src="https://freight.cargo.site/w/706/i/b6f978df96280fec255d9c0164bcc582fd6064c08981944f66123ca73ad22f50/NEON_10.jpg" /> <img width="704" height="965" width_o="704" height_o="965" data-src="https://freight.cargo.site/t/original/i/592abaf10db582859c4d1b93f06ffb4de55f71179da5587394119100a5c42736/NEON_12.jpg" data-mid="111320745" border="0" src="https://freight.cargo.site/w/704/i/592abaf10db582859c4d1b93f06ffb4de55f71179da5587394119100a5c42736/NEON_12.jpg" /> Reproduction of a handwritten note by cartographer Robert Dudley, in his "Carta Particolare dell Mare di Ierlandia e Parte di Inghilterra e della Iscotia" from 1646-47. Next to the island of Brazil, one reads in archaic Italian: "I. O Brasil è Isola disabtitata. È incerta se c’i e tal Isola ò no". What could be translated to English as: "I. Brazil is an uninhabited island. It is uncertain whether the island exists or not". With its letters painted in black, the neon sign emphasizes the handwritten aspect of the annotation on paper. Light sign &gt; white neon painted black (230 x 57 cm) <img width="1256" height="965" width_o="1256" height_o="965" data-src="https://freight.cargo.site/t/original/i/c5bfe14f5011771b75934e622c7f587affdeffba7f3d188e402ebe266e7f1291/madeira_06.jpg" data-mid="111320746" border="0" src="https://freight.cargo.site/w/1000/i/c5bfe14f5011771b75934e622c7f587affdeffba7f3d188e402ebe266e7f1291/madeira_06.jpg" /> <img width="1256" height="965" width_o="1256" height_o="965" data-src="https://freight.cargo.site/t/original/i/972e31bd84c86fb8e9e4ef00780dae7a1bd65de3588d704713e847eac905efb3/madeira_07.jpg" data-mid="111320747" border="0" src="https://freight.cargo.site/w/1000/i/972e31bd84c86fb8e9e4ef00780dae7a1bd65de3588d704713e847eac905efb3/madeira_07.jpg" /> <img width="1256" height="965" width_o="1256" height_o="965" data-src="https://freight.cargo.site/t/original/i/1437ddcf8a2ce5959c237d2f79e2e044bdaadede411b560fe5f32ce6df235cc2/madeira_08.jpg" data-mid="111320748" border="0" src="https://freight.cargo.site/w/1000/i/1437ddcf8a2ce5959c237d2f79e2e044bdaadede411b560fe5f32ce6df235cc2/madeira_08.jpg" /> <img width="1256" height="965" width_o="1256" height_o="965" data-src="https://freight.cargo.site/t/original/i/4d601bc5ab64fd7cb59c5927ebd8f0acb59d144437f2f5757493f49a8b4e703e/madeira_09.jpg" data-mid="111320749" border="0" src="https://freight.cargo.site/w/1000/i/4d601bc5ab64fd7cb59c5927ebd8f0acb59d144437f2f5757493f49a8b4e703e/madeira_09.jpg" /> A set of clippings reproducing the most diverse shapes attributed to the "Isle of Brazil" by cartographers from the 14th to the 19th centuries. In addition to its "circular" character, there was a constant belief that the island would contain a lagoon at its center, or even be crossed by a river. The wood used, Muirapiranga, was often confused with the reddish sap tree that gave Brazil (and perhaps the island itself) its name. For this reason, it is officially called "False Brazilwood" today. Reliefs &gt; 48 solid wood pieces (approximately 25 x 25 x 2 cm each) <img width="1544" height="965" width_o="1544" height_o="965" data-src="https://freight.cargo.site/t/original/i/03b70e8f5c49b94bbac0f6b78427d9d51b660a474cda318d879805c7dd2098a5/Tapete_04.jpg" data-mid="111320741" border="0" src="https://freight.cargo.site/w/1000/i/03b70e8f5c49b94bbac0f6b78427d9d51b660a474cda318d879805c7dd2098a5/Tapete_04.jpg" /> <img width="1292" height="965" width_o="1292" height_o="965" data-src="https://freight.cargo.site/t/original/i/cea98aace67900a73da4b7fc87793401b000371c621f56cba0b4e84dad901762/Tapete_05.jpg" data-mid="111320742" border="0" src="https://freight.cargo.site/w/1000/i/cea98aace67900a73da4b7fc87793401b000371c621f56cba0b4e84dad901762/Tapete_05.jpg" /> <img width="1292" height="965" width_o="1292" height_o="965" data-src="https://freight.cargo.site/t/original/i/07c3d28bcda9fffde37dbb49cccca7850c67456d01469908355070e4e9d19bb6/Tapete_06.jpg" data-mid="111320743" border="0" src="https://freight.cargo.site/w/1000/i/07c3d28bcda9fffde37dbb49cccca7850c67456d01469908355070e4e9d19bb6/Tapete_06.jpg" /> Carpet that reproduces a map by cartographer Paolo Toscanelli, from 1474, sent to Christopher Columbus, indicating the possibility of reaching the Indies by sailing westwards. Its fabric reconstitutes in black and white the geography of the 15th century, with its new system of coordinates, while an interplay of threads of different heights invites the public to accidentally 'bump' into the Americas with their feet. Carpet &gt; polyamide nylon with threads of 14 and 17 mm, polypropylene and latex base (190 x 260 cm) https://danieljablonski.org/Play-that-Music Mon, 14 Jun 2021 15:41:07 +0000 Daniel Jablonski https://danieljablonski.org/Play-that-Music Play that Music – Play Until You Die(2017-2020), <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/b32d46e1a018ecdf1d3d082e0f6aaa0142c60ba4a46e20dfb63cab61b27979fc/toque_01.jpg" data-mid="111320781" border="0" src="https://freight.cargo.site/w/1000/i/b32d46e1a018ecdf1d3d082e0f6aaa0142c60ba4a46e20dfb63cab61b27979fc/toque_01.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/d6ee986d24628541858f6bf757ee2cb1f9444e6e6886d65c9e9743ff2bf12526/toque_03.jpg" data-mid="111320782" border="0" src="https://freight.cargo.site/w/1000/i/d6ee986d24628541858f6bf757ee2cb1f9444e6e6886d65c9e9743ff2bf12526/toque_03.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/59e84ca7b1557a9e929c9ef9741a1c04d77c9aca37c380b52e94e934ac9cb14b/toque_04.jpg" data-mid="111320783" border="0" src="https://freight.cargo.site/w/1000/i/59e84ca7b1557a9e929c9ef9741a1c04d77c9aca37c380b52e94e934ac9cb14b/toque_04.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/da90174da0db225d0a310243f69b66ff1397e758fe2d607e98efabb4bd3110e7/toque_05.jpg" data-mid="111320784" border="0" src="https://freight.cargo.site/w/1000/i/da90174da0db225d0a310243f69b66ff1397e758fe2d607e98efabb4bd3110e7/toque_05.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/723610f443ffd12d6b1c0cdba8aa13b406267a88eb5912086b8426d40a1a7081/toque_06.jpg" data-mid="111320785" border="0" src="https://freight.cargo.site/w/1000/i/723610f443ffd12d6b1c0cdba8aa13b406267a88eb5912086b8426d40a1a7081/toque_06.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/3b31189944a25415f8dd5561b25b2c43e2aa6c270030a21426c148ba00f6674c/toque_07.jpg" data-mid="111320786" border="0" src="https://freight.cargo.site/w/1000/i/3b31189944a25415f8dd5561b25b2c43e2aa6c270030a21426c148ba00f6674c/toque_07.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/e7dc1cc6177fe5061a1227235984620a16fcecbce8cd6b80b91430f69937199d/toque_16.jpg" data-mid="111320788" border="0" src="https://freight.cargo.site/w/1000/i/e7dc1cc6177fe5061a1227235984620a16fcecbce8cd6b80b91430f69937199d/toque_16.jpg" /> In collaboration with Alexandre GwazSound performance &gt; acoustic drums, computers, recording equipment, LED lights &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; The performance Play that Music consisted in the live recording of a five-track album. Titled “Play Until You Die,” it is a ghost version of another record, which should have been recorded by me and my teenage band exactly ten years ago. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Os subterrâneos emerged in mid- 2004 in Rio de Janeiro, from the encounter of five friends who shared some artistic intent, and ended shortly after as do so many similar bands: due to quarrels and misunderstandings. But, in this specific case, the end came soon after a recording deal and a demo tape complete with arrangements for five original songs. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; This record follows the original scores precisely, but contains only the instrument that I was assigned to at the time: the drums. It was recorded live at Espaço BREU, São Paulo, on 2 December 2017, with the assistance of sound artist Alexandre Gwaz. In fact, the work had started long before, for it involved the entire process of relearning to play the instrument, with which I had had no contact since then. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Forcing my body back into its past vigor, such performative device sought to point to the almost mythical outlines of that ideal of the "band", which is ingrained in the minds of so many other youths who, like me, have chosen music as a primary platform of exchange. Furthermore, through a profusion of absences, it revealed the often devastating effect of the passage of time, which stifles those same aspirations, desires and initiatives, with the imperative weight of adulthood. <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/8a82265ec91ed4e85d2e60490b59f6279647c26074f5d7235d1166a55adf410f/toque_15.jpg" data-mid="111320787" border="0" src="https://freight.cargo.site/w/1000/i/8a82265ec91ed4e85d2e60490b59f6279647c26074f5d7235d1166a55adf410f/toque_15.jpg" /> Posters &gt; 4 inkjet prints on photographic paper (70 x 47.5 cm each) <img width="1417" height="1417" width_o="1417" height_o="1417" data-src="https://freight.cargo.site/t/original/i/6e8c83b65c6e1af52ff7717abe1a6f847971acbc1273432b1240b69d27dfa1b5/disco_novo_01.jpg" data-mid="113190794" border="0" src="https://freight.cargo.site/w/1000/i/6e8c83b65c6e1af52ff7717abe1a6f847971acbc1273432b1240b69d27dfa1b5/disco_novo_01.jpg" /> <img width="1417" height="1417" width_o="1417" height_o="1417" data-src="https://freight.cargo.site/t/original/i/4ee308c779a6d3cfab00161f2a02d249bd10ffb1a5990fd913a8113a0ed120b3/disco_novo_02.jpg" data-mid="113190795" border="0" src="https://freight.cargo.site/w/1000/i/4ee308c779a6d3cfab00161f2a02d249bd10ffb1a5990fd913a8113a0ed120b3/disco_novo_02.jpg" /> <img width="1417" height="1417" width_o="1417" height_o="1417" data-src="https://freight.cargo.site/t/original/i/2ea37208399e11d831a9036034c4d10169cc919bdb7533771ea3daed8a15a5bf/bolacha_cinza_A.jpg" data-mid="113204253" border="0" src="https://freight.cargo.site/w/1000/i/2ea37208399e11d831a9036034c4d10169cc919bdb7533771ea3daed8a15a5bf/bolacha_cinza_A.jpg" /> <img width="1417" height="1417" width_o="1417" height_o="1417" data-src="https://freight.cargo.site/t/original/i/12fcb02719b2c8bfd1d8520a44fc6a7f903fd63c547e44dea1a8fe3a35428168/bolacha_cinza_B.jpg" data-mid="113204254" border="0" src="https://freight.cargo.site/w/1000/i/12fcb02719b2c8bfd1d8520a44fc6a7f903fd63c547e44dea1a8fe3a35428168/bolacha_cinza_B.jpg" /> <img width="4961" height="7016" width_o="4961" height_o="7016" data-src="https://freight.cargo.site/t/original/i/4a37af8d29d40a16893f6987f92236712dad6fd59b448cc26ae4b892f105413d/cartaz_site_D.jpg" data-mid="113206159" border="0" src="https://freight.cargo.site/w/1000/i/4a37af8d29d40a16893f6987f92236712dad6fd59b448cc26ae4b892f105413d/cartaz_site_D.jpg" /> <img width="4961" height="7016" width_o="4961" height_o="7016" data-src="https://freight.cargo.site/t/original/i/c903a4ddad41a226085304fd2e4156b363a426490d683675e6098608a76638ef/cartaz_site_E.jpg" data-mid="113206160" border="0" src="https://freight.cargo.site/w/1000/i/c903a4ddad41a226085304fd2e4156b363a426490d683675e6098608a76638ef/cartaz_site_E.jpg" /> Album &gt; recording of the sound performance, available in mp3 and 10” vinyls (100 issues) with signed poster Video &gt; teaser for the Play Until You Die record release &nbsp; credits album design&nbsp;Marina Oruê / membrana.info lighting&nbsp;Helô Duran photography&nbsp;Nino Andrés filming&nbsp;Pedro França video editing Haroldo Saboia https://danieljablonski.org/Still-Brazil-En Tue, 15 Jun 2021 19:51:35 +0000 Daniel Jablonski https://danieljablonski.org/Still-Brazil-En (Still) Brazil(2017-2018), <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/b504779e977a9c27cd87bbae968efa74c3cbc78e222dccddefbf250a8cb6380c/quadro_01.jpg" data-mid="111449924" border="0" src="https://freight.cargo.site/w/1000/i/b504779e977a9c27cd87bbae968efa74c3cbc78e222dccddefbf250a8cb6380c/quadro_01.jpg" /> Frame with screen capture of Terry Gilliam's Brazil, 1985 Photograph &gt; mineral pigment print on cotton paper (150 x 100 cm) &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; (Still) Brazil is an investigation on the representation of Brazil in different cultures, as it appears in foreign cinematographic works. The work brings together 250 stills out of a compilation of almost 1000 fiction features produced and shot abroad in which the words "Brazil" and "Brazilian" appear for no particular reason, always unrelated to the unfolding of the plot. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; The exemplary case is Brazil (1985), by Terry Gilliam, a dystopic science fiction film showing no connection to the country, except for the constantly played score Aquarela do Brasil by Ary Barroso. More than the earnest documentaries about the country, those apparently unimportant little references, lost in fictitious dialogues, hold the true unconscious images of exoticism. Distant both in time and space, Brazil serves as the underside for all those films, like a black hole in the scripts, to which all the characters’ promises, dreams or escapes are sent, never to be accomplished. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; (Still) Brazil was also conceived as a film itself, in which each piece explores (and sets aside) a cinematic feature: sound, moving image, still, spec sheet etc. <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/442b778e4764d238e3d2a03ed53a9dbd718a481eb6df5cb06e29af1980c0d21b/instalacao_still_01.jpg" data-mid="111449990" border="0" src="https://freight.cargo.site/w/1000/i/442b778e4764d238e3d2a03ed53a9dbd718a481eb6df5cb06e29af1980c0d21b/instalacao_still_01.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/dab7c78e2464bb96939fcc78c9e95c695e69a3946eabbf4555245231a575047e/instalacao_still_02.jpg" data-mid="111449991" border="0" src="https://freight.cargo.site/w/1000/i/dab7c78e2464bb96939fcc78c9e95c695e69a3946eabbf4555245231a575047e/instalacao_still_02.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/e58b19ee784610e5e28ba8579f486868130ba9dfc35db21deddaf7d81da91d9c/instalacao_still_03.jpg" data-mid="111449992" border="0" src="https://freight.cargo.site/w/1000/i/e58b19ee784610e5e28ba8579f486868130ba9dfc35db21deddaf7d81da91d9c/instalacao_still_03.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/beea3eff50c88dfb6a5367e0600f838d466df83fa55ae70acb022908da4f02cb/video_01.jpg" data-mid="111449988" border="0" src="https://freight.cargo.site/w/1000/i/beea3eff50c88dfb6a5367e0600f838d466df83fa55ae70acb022908da4f02cb/video_01.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/535befc733b66e793b68efdc92a180bc7ac3a13fc0ff5521b0c1dd50437b368b/video_02.jpg" data-mid="111449989" border="0" src="https://freight.cargo.site/w/1000/i/535befc733b66e793b68efdc92a180bc7ac3a13fc0ff5521b0c1dd50437b368b/video_02.jpg" /> Installation &gt; Views of the exhibition at Paço das Artes, São Paulo (total variable dimensions) <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/78175a30c026143e98ca19dbcad895c877fd71c2b65a06181142ff74b1856682/lista_01.jpg" data-mid="111449925" border="0" src="https://freight.cargo.site/w/1000/i/78175a30c026143e98ca19dbcad895c877fd71c2b65a06181142ff74b1856682/lista_01.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/214176b40d02851012777ccdc7790988f2d5c7cb1b9a34fd1e2f63e1ac38354d/lista_02.jpg" data-mid="111449926" border="0" src="https://freight.cargo.site/w/1000/i/214176b40d02851012777ccdc7790988f2d5c7cb1b9a34fd1e2f63e1ac38354d/lista_02.jpg" /> List featuring the movie title, director, year, country of production and the exact minute count wherein the words "Brazil" or "Brazilian" are mentioned in 877 international fiction films, ordered alphabetically Panel &gt; adhesive vinyl (variable dimensions) <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/f8442f94be07fa549984ee19effe39489a729379ef2d37453f2e418cd371e0bd/still_08.jpg" data-mid="111449941" border="0" src="https://freight.cargo.site/w/1000/i/f8442f94be07fa549984ee19effe39489a729379ef2d37453f2e418cd371e0bd/still_08.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/567270f6f5b971b1efae312531658358c3f16ad0807f9136791edb8b10ea322f/still_02.jpg" data-mid="111449929" border="0" src="https://freight.cargo.site/w/1000/i/567270f6f5b971b1efae312531658358c3f16ad0807f9136791edb8b10ea322f/still_02.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/76c727be4a585094b199ae42c8ddb02fb0f01b5a5f34b3b520777759d6e0e0c8/still_03.jpg" data-mid="111449932" border="0" src="https://freight.cargo.site/w/1000/i/76c727be4a585094b199ae42c8ddb02fb0f01b5a5f34b3b520777759d6e0e0c8/still_03.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/f91088e9580c46119561db121a31720c6245c49eddbeff6ed2885ecef867cb54/still_01.jpg" data-mid="111449927" border="0" src="https://freight.cargo.site/w/1000/i/f91088e9580c46119561db121a31720c6245c49eddbeff6ed2885ecef867cb54/still_01.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" 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height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/ac42ccc5bc05b5120cf285f895d59ff763e7fac84bcc3c6df63438b05bd3b76d/still_06.jpg" data-mid="111449939" border="0" src="https://freight.cargo.site/w/1000/i/ac42ccc5bc05b5120cf285f895d59ff763e7fac84bcc3c6df63438b05bd3b76d/still_06.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/580ece24e730d91abeaefa667c65f7713fbd3b81656530596fa4aab23cf1ad16/still_07.jpg" data-mid="111449940" border="0" src="https://freight.cargo.site/w/1000/i/580ece24e730d91abeaefa667c65f7713fbd3b81656530596fa4aab23cf1ad16/still_07.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/d78033c4b3cb53ec215c7bc92dc840697fa87c2211c027cf22dbc00d8eedbdcc/still_14.jpg" data-mid="111449952" border="0" 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data-src="https://freight.cargo.site/t/original/i/9a68b420fc207886b1d0ddd5317fc6c90f8b762d9d54082637d497e63aee4c7e/still_17.jpg" data-mid="111449958" border="0" src="https://freight.cargo.site/w/1000/i/9a68b420fc207886b1d0ddd5317fc6c90f8b762d9d54082637d497e63aee4c7e/still_17.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/0e59d003038e0ba584d06f724c26f3193a33341531a2c3d2bf9bc8b2b3cd280e/still_18.jpg" data-mid="111449959" border="0" src="https://freight.cargo.site/w/1000/i/0e59d003038e0ba584d06f724c26f3193a33341531a2c3d2bf9bc8b2b3cd280e/still_18.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/1cc4687d3c6e5fab3a6edbdcf80002c448e4777723f8f854d1a3a423ab17ba79/still_19.jpg" data-mid="111449960" border="0" src="https://freight.cargo.site/w/1000/i/1cc4687d3c6e5fab3a6edbdcf80002c448e4777723f8f854d1a3a423ab17ba79/still_19.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/718c94616762f5ab2f30b977bd6be887ddb860290186ba35ede5fc88258b699c/still_23.jpg" data-mid="111449968" border="0" src="https://freight.cargo.site/w/1000/i/718c94616762f5ab2f30b977bd6be887ddb860290186ba35ede5fc88258b699c/still_23.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/7c29f8c1de63dd6993b993cad7b2abc3872726f09444587b3a87158c96e474e4/still_26.jpg" data-mid="111449971" border="0" src="https://freight.cargo.site/w/1000/i/7c29f8c1de63dd6993b993cad7b2abc3872726f09444587b3a87158c96e474e4/still_26.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/ea79d365736844f70a6355d24b025aea309d4851e2eef4bff6139bf750cb0186/still_27.jpg" data-mid="111449972" border="0" src="https://freight.cargo.site/w/1000/i/ea79d365736844f70a6355d24b025aea309d4851e2eef4bff6139bf750cb0186/still_27.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/6c9896c17cae5e2503287a6c3643fbe1301af22d5b1f9e36989c7d22e66d6caf/still_29.jpg" data-mid="111449974" border="0" src="https://freight.cargo.site/w/1000/i/6c9896c17cae5e2503287a6c3643fbe1301af22d5b1f9e36989c7d22e66d6caf/still_29.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/17fdf76592606abff3eb8f42232cc697b9a1610f6ea4bae72c6be92d39f9186d/still_30.jpg" data-mid="111449975" border="0" src="https://freight.cargo.site/w/1000/i/17fdf76592606abff3eb8f42232cc697b9a1610f6ea4bae72c6be92d39f9186d/still_30.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/736752f94e983393a764fcf743c862f691023190b060076ec1be38c036397c8c/still_31.jpg" data-mid="111449976" border="0" src="https://freight.cargo.site/w/1000/i/736752f94e983393a764fcf743c862f691023190b060076ec1be38c036397c8c/still_31.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/0b476b2d389480cee83fda7e8f6926b16395d1952360b515ef8cb26e87422e7a/still_32.jpg" data-mid="111449977" border="0" src="https://freight.cargo.site/w/1000/i/0b476b2d389480cee83fda7e8f6926b16395d1952360b515ef8cb26e87422e7a/still_32.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/dc64659c3ebde74cefd9c8f1fe8773b694a4699126dc24e9212d78c42f65c56f/caixa.jpg" data-mid="111449979" border="0" src="https://freight.cargo.site/w/1000/i/dc64659c3ebde74cefd9c8f1fe8773b694a4699126dc24e9212d78c42f65c56f/caixa.jpg" /> Set of screen captures from 250 international films in the precise scenes where there’s a mention to Brazil, with subtitles in the original language, also presented in metal boxes with screen prints of Aquarela do Brasil Box and stills &gt; 5 silk screened metal boxes (32 x 23 x 6 cm), each containing 50 prints on photographic paper (20 x 30 cm each) <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/1188a7efc5ab149e140b6a0657fca23d5abd888343c95cf9be7b78197b1427e4/objetos_01.jpg" data-mid="111449980" border="0" src="https://freight.cargo.site/w/1000/i/1188a7efc5ab149e140b6a0657fca23d5abd888343c95cf9be7b78197b1427e4/objetos_01.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/7aad2ee52c449bbad4d1e57f1ba7339d17b2af440bfadc96887481facad19609/objetos_02.jpg" data-mid="111449981" border="0" src="https://freight.cargo.site/w/1000/i/7aad2ee52c449bbad4d1e57f1ba7339d17b2af440bfadc96887481facad19609/objetos_02.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/9253ed470c76f62474466046a6629ff6adb443d293882cc6771a58f518a482bc/objetos_03.jpg" data-mid="111449982" border="0" src="https://freight.cargo.site/w/1000/i/9253ed470c76f62474466046a6629ff6adb443d293882cc6771a58f518a482bc/objetos_03.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/7fd69a057389bbb1b9a5e2b8511408d18d55205410f5269f5c96defd9c4bc2f8/objetos_04.jpg" data-mid="111449984" border="0" src="https://freight.cargo.site/w/1000/i/7fd69a057389bbb1b9a5e2b8511408d18d55205410f5269f5c96defd9c4bc2f8/objetos_04.jpg" /> <img width="647" height="965" width_o="647" height_o="965" data-src="https://freight.cargo.site/t/original/i/ddb7c18f53c0153d06f0159c2b5ac956e08393fa3fbe4cd84f9d3308cf4a7df5/objetos_05.jpg" data-mid="111449986" border="0" src="https://freight.cargo.site/w/647/i/ddb7c18f53c0153d06f0159c2b5ac956e08393fa3fbe4cd84f9d3308cf4a7df5/objetos_05.jpg" /> Set of objects referring to the character Joe Carioca, created by Walt Disney in 1942, including the original score of the cartoon Saludos, Amigos! with English translation of Aquarela do Brasil. Objects &gt; Music sheet, metal cage, umbrella, music stand, bow tie and cigar (variable dimensions) Compilation featuring 80 foreign versions of the song Aquarela do Brasil, written by Ary Barroso in 1939, in all languages except Portuguese and every genre except samba. Sound piece &gt; 1 audio track, stereo sound, 03:56:35' on loop Editing of the films Land in Anguish (1967) by Glauber Rocha, Macunaíma (1969), by Joaquim Pedro de Andrade, and The Mercenaries (2010) by Sylvester Stallone, all of them shot at the School of Visual Arts of Parque Lage, in Rio de Janeiro. Once removed all the fictional elements of those movies — such as dialogue, characters, sound and story — all there is left to see are the architectural fragments of the palazzo, views of the pool, facade, columns, doors and corridors. Moving images &gt; 3 digital videos, respectively 00:36', 01:18' and 01:46', in loop &gt; Portuguese only + Critical reviews &gt; S|Z – A exposição Still Brazil por Bernardo Mosqueira + Critical reviews &gt; (Still) Brazil no Paço das Artes por Nathalia Lavigne + Critical reviews &gt; Learn Dutch to know Brazil por Marília Loureiro + Interviews &gt; Vídeo-entrevista Paço das Artes por Priscila Arantes + Interviews &gt; (Still) Brazil – entrevista por Nathalia Lavigne &nbsp; credits photography&nbsp;Lauro Rocha audio and video editing Alexandre Gwaz research assistants&nbsp;Mariana Teixeira, Natália Marchiori https://danieljablonski.org/All-Against Mon, 14 Jun 2021 16:43:26 +0000 Daniel Jablonski https://danieljablonski.org/All-Against All Against(2016-2018), <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/8872d38f7c2f13d23d8f0e587de6996b14d247719d88b8b01b07adfc40d398e3/todos_contra_01.jpg" data-mid="111326892" border="0" src="https://freight.cargo.site/w/1000/i/8872d38f7c2f13d23d8f0e587de6996b14d247719d88b8b01b07adfc40d398e3/todos_contra_01.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/e9e7a00d4c004917a4445c2c762c37ed43e47967d0b4c8f0747aae4b4f965cb2/todos_contra_02.jpg" data-mid="111326893" border="0" src="https://freight.cargo.site/w/1000/i/e9e7a00d4c004917a4445c2c762c37ed43e47967d0b4c8f0747aae4b4f965cb2/todos_contra_02.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/bfb5ecb636a5fc1dd727383be194af9214cb2b86a4d087a1f919c7bcd1e790c3/todos_contra_03.jpg" data-mid="111326894" border="0" src="https://freight.cargo.site/w/1000/i/bfb5ecb636a5fc1dd727383be194af9214cb2b86a4d087a1f919c7bcd1e790c3/todos_contra_03.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/4cd72eefc275dc7ad3d5399cb36769a15eaf44e559880f8b6d60136513398e9a/todos_contra_04.jpg" data-mid="111326895" border="0" src="https://freight.cargo.site/w/1000/i/4cd72eefc275dc7ad3d5399cb36769a15eaf44e559880f8b6d60136513398e9a/todos_contra_04.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/a7291a166c204c8690f0e68e30c60ccb32efff27bbc86e007799059d18cb13b0/todos_contra_05.jpg" data-mid="111326896" border="0" src="https://freight.cargo.site/w/1000/i/a7291a166c204c8690f0e68e30c60ccb32efff27bbc86e007799059d18cb13b0/todos_contra_05.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/6854c5ed8a33276e9fc1236af1b3d99627abd854b67da202fe2ce3128b2c1236/todos_contra_06.jpg" data-mid="111326897" border="0" src="https://freight.cargo.site/w/1000/i/6854c5ed8a33276e9fc1236af1b3d99627abd854b67da202fe2ce3128b2c1236/todos_contra_06.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/a7bc83adbe8c709a09242b552c5df13118b1ea3fb7b90e88227e3422d61889c0/todos_contra_07.jpg" data-mid="111326899" border="0" src="https://freight.cargo.site/w/1000/i/a7bc83adbe8c709a09242b552c5df13118b1ea3fb7b90e88227e3422d61889c0/todos_contra_07.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/3ccb083d4b98a26080d154b9067ba036662d67d2fae76069f4b5595e24a6b3ae/todos_contra_08.jpg" data-mid="111326900" border="0" src="https://freight.cargo.site/w/1000/i/3ccb083d4b98a26080d154b9067ba036662d67d2fae76069f4b5595e24a6b3ae/todos_contra_08.jpg" /> In collaboration with Camila Goulart Urban intervention &gt; 60 street posters scattered over Rio de Janeiro (150 x 300 cm each trio) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; This series of street posters brings back classic slogans from campaigns to fight the dengue mosquito, calling on citizens to unite against a common enemy: “Together we are stronger”, “The danger rises, as does everyone’s responsibility” or “Worker, this is your battle too”. The campaign slogans have been repeated so exhaustively - especially during summer, the annual outbreak period of the disease - that all residents of Rio de Janeiro instantly recognize them. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Here, however, the simple omission of the word "mosquito" removes the original context and leaves the passer-by with the task of figuring out who or what is meant by the intentionally empty reference word "ele" (him). The work encourages a kind of curiosity that becomes an opportunity to take position at the particular moment of political antagonism when these posters appeared on the streets of Rio de Janeiro: on the day after the impeachment of former president elected Dilma Rousseff. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; The work was reinstalled two years later, in the second round of the elections that would bring Jair Messias Bolsonaro to the presidency of Brazil. &nbsp; credits photography Felipe Felizardo https://danieljablonski.org/Facing-the-Device Mon, 14 Jun 2021 16:43:33 +0000 Daniel Jablonski https://danieljablonski.org/Facing-the-Device Facing the Device(2016-2018), <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/a9d0071d0ab822d9fdf818e8db41c1ce4f523d5f89a7ac90365dfc35e23b8aaa/aparelho_04.jpg" data-mid="111326904" border="0" src="https://freight.cargo.site/w/1000/i/a9d0071d0ab822d9fdf818e8db41c1ce4f523d5f89a7ac90365dfc35e23b8aaa/aparelho_04.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/67858b1709ae24c3eae450bf32707c5489652c480d959c598c35772a9af92e20/aparelho_05.jpg" data-mid="111326905" border="0" src="https://freight.cargo.site/w/1000/i/67858b1709ae24c3eae450bf32707c5489652c480d959c598c35772a9af92e20/aparelho_05.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/4e5d99d6353c624d9807c2def00e2dd66cf2ba10784af9dbde496aad0eaba939/aparelho_06.jpg" data-mid="111326906" border="0" src="https://freight.cargo.site/w/1000/i/4e5d99d6353c624d9807c2def00e2dd66cf2ba10784af9dbde496aad0eaba939/aparelho_06.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/d778359275fb2c60dc782a0a5d5bde592a4d82ed7c3a73f3a6cb2054edd9a194/aparelho_07.jpg" data-mid="111326907" border="0" src="https://freight.cargo.site/w/1000/i/d778359275fb2c60dc782a0a5d5bde592a4d82ed7c3a73f3a6cb2054edd9a194/aparelho_07.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/160c8c46b692076bf1a28f103344e8b6dd36c048a4b70647ddbb458a5e2ab0a5/aparelho_01.jpg" data-mid="111326901" border="0" src="https://freight.cargo.site/w/1000/i/160c8c46b692076bf1a28f103344e8b6dd36c048a4b70647ddbb458a5e2ab0a5/aparelho_01.jpg" /> Slides &gt; 320 colored photographs (2,4 x 3,5 cm each) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Between 2008 and 2011, I have systematically photographed the first call of every visitor who came into my tiny apartment, while I lived in Paris as a student. I’ve therefore compiled an archive of over 300 images, mostly of youngsters in relaxed poses, all of them standing at the same spot in the hallway, under a red sign which read, in Portuguese: APARELHO (device,&nbsp;apparatus.) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; The name served as homage to the places used by several leftist groups as a meeting place as well as a temporary residence, during the confrontation with the Brazilian military dictatorship (1964-1985). And as homage to journey of my father, Silvio Jablonski, a 23-year-old engineering student who lived in one of these communist "apparatuses," until being taken in August 1971 during the military operation Operação Bandeirantes (OBAN) to the seat of DOI-CODI in São Paulo, where he would be arrested and tortured. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Through a mirror strategy, the works aims bringing to the present that fundamental correlation between youth’s individual experience and the collective awakening of a political awareness, which so profoundly marked the 1960’s and 1970’s. After all, the vast majority of the militants of the past was comprised of young people, in their mid-20s, and the time spent in those clandestine apartments also represented, for many of them, a first experience of freedom away from the repression in their own family homes. <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/eb3bb3080dea59e53c60e36e6685ebf4692715caa2fde59e999cd8d8c8254895/aparelho_02.jpg" data-mid="111326902" border="0" src="https://freight.cargo.site/w/1000/i/eb3bb3080dea59e53c60e36e6685ebf4692715caa2fde59e999cd8d8c8254895/aparelho_02.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/8589213508df720027953d0b1d5c32ac0c79b8769bc222a5744dab95b41ffb0b/aparelho_03.jpg" data-mid="111326903" border="0" src="https://freight.cargo.site/w/1000/i/8589213508df720027953d0b1d5c32ac0c79b8769bc222a5744dab95b41ffb0b/aparelho_03.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/4cf89acac637889fb2188eaea8577752b7c5e126de4ee82d59c6204d434b7f5f/aparelho_08.jpg" data-mid="111326908" border="0" src="https://freight.cargo.site/w/1000/i/4cf89acac637889fb2188eaea8577752b7c5e126de4ee82d59c6204d434b7f5f/aparelho_08.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/fdc63a5f35278b55a03bbd9f29ef213ac452a6dcfc533168adaa44ec939f7642/aparelho_09.jpg" data-mid="111326909" border="0" src="https://freight.cargo.site/w/1000/i/fdc63a5f35278b55a03bbd9f29ef213ac452a6dcfc533168adaa44ec939f7642/aparelho_09.jpg" /> <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/a6b4cd0dc90cf2740b1140b6f1ae26284768bf4bea4b9dd42731d81e95a3a26d/aparelho_10.jpg" data-mid="111326910" border="0" src="https://freight.cargo.site/w/1000/i/a6b4cd0dc90cf2740b1140b6f1ae26284768bf4bea4b9dd42731d81e95a3a26d/aparelho_10.jpg" /> Views of the work in the exhibition Elefante branco com paninho em cima, Museum of Image and Sound, São Paulo, 2016&gt; 3 light tables (33 x 45 x 5,5 each), 03 magnifying glasses and 130 colored slides <img width="1461" height="965" width_o="1461" height_o="965" data-src="https://freight.cargo.site/t/original/i/78aa192ee97daf82a6f34f8bed0b713c9f4fc21bfbd67dfa2f2dcfa266381f6f/aparelho_11.jpg" data-mid="111326911" border="0" src="https://freight.cargo.site/w/1000/i/78aa192ee97daf82a6f34f8bed0b713c9f4fc21bfbd67dfa2f2dcfa266381f6f/aparelho_11.jpg" /> Views of the installation in the exhibition Homemade Mysteries at Galeria Antonio Sibasolly, Anápolis, 2018&gt; 300 color slides, 2 metal boxes, 1 automatic slide projector, 2 copper tubes, 2 curtains, adhesive vinyl (variable dimensions) &nbsp; credits photography Lauro Rocha