Boletos, prestígio e a exploração do trabalho artístico no sistema neoliberal (21/06/21)
︎︎︎ Column by Alessandra Affortunati Martins on the piece Art Workers in CULT Magazine’s website

Boletos vencidos (06/05/20)
︎︎︎ Story about emergency initiatives under the impact of Covid-19 and the limits of the circuit and the logic of market

Au Brésil, des mesures en demi-teinte face à l'épidémie (19/03/20)
︎︎︎ Story about the suspension of SP-Arte in the magazine Le Quotidien de l'Art (French)

SP-Arte’s Solo Sector to Tackle 'Control and Exoticism' (24/01/20)
︎︎︎  Story about the Solo Sector of SP-Arte Fair, with curatorship of Alexia Tala, on Ocula Magazine website (English)

20 artists in 2020 (13/01/20)
︎︎︎ Story with artists in prominence according to Brazilian curators, on SP-Arte Fair 365 website (English)

Criar uma obra de arte é sinônimo de colocar a mão na massa? (08/07/18)
︎︎︎ Article on the artist's research and methodology on the online platform Bigorna

O Sono Louco - Quem Vigia o Vigia? (17/04/19)
︎︎︎ Story on the eponymous exhibition at Duas Galerias, broadcasted on TV show Agenda, Rede Minas, BH, Brazil

Tempo de ser pai, mãe e sujeito: nosso tempo ao lado dos filhos escoa em nome da produção e do consumo (16/04/19)
︎︎︎ Column by Vera Iaconelli about the work The Mad Sleep: Who Watches the Watchman? in Folha de São Paulo Newspaper (print and online)

'Still Brazil' mapeia visões e menções ao país em mais de 900 filmes (23/07/18)
︎︎︎ Story on the exhibition (Still) Brazil, O Globo newspaper (print and online)

Como os filmes estrangeiros retratam o Brasil (15/02/18)
︎︎︎ Story on the exhibition (Still) Brazil Veja SP magazine (print and online)

Garimpo: Daniel Jablonski (02/03/14)
︎︎︎ Essay about the work Random Years in Dasartes magazine (print and online)